
The pre-credits sequence superbly establishes the intrigue, with the unexpected transformation of the little Oscar from helpless kid to devious hunter. A character study of Sarah Jane ensues and although lacking in action, the sheer sincerity of Elisabeth Sladen's performance and engaging camerawork keep up the momentum.
The time-altering dilemma Sarah Jane faces is similar to that encountered by Donna Noble in 'The Fires Of Pompeii', but on a far more personal note. Wisely for a family show, the traumatic situation is nicely eased by the occasional flash of humour, such as Luke and Sarah Jane's hilarious foray as David and Victoria Beckham.
A wonderfully bleak ending, complete with a ruined Big Ben, must have eaten up a large chunk of the show's effects budget. It's worth it though, as it creates a neat juxtaposition with the dream-like visual qualities of the Foxgrove that Sarah Jane visits.
The prospect of a Trickster rampage neatly whets the appetite for the concluding part, although it has a great deal to live up to. Could it be Sarah Jane's finest hour?

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