
Brad Bellick's downfall was hardly a bolt out of the blue. The occasion was so blatantly signposted earlier in the episode, as he suddenly started spouting about his family and his past misdemeanours. It was a cynical attempt from the writers to shoehorn in some emotive aspects to a character who's been seriously neglected. It wasn't needed, as that simple shot of Bellick's sad but brave face in the tunnel, awaiting his release from a cruel world, was enough to tug on the heartstrings. Wade Williams - we salute you.
Too much of the early part of the episode felt like padding, with Mahone sat around brooding as usual, but the pay-off was certainly worth it. The showdown with Wyatt didn't disappoint and was particularly well-acted, especially by the genius known as William Fichtner. He played it perfectly, from the cathartic call to his estranged wife, full of fractured emotions, to that final smile after he cut short Wyatt's speech in its infancy by shoving him to his death.

Yet again, several big developments overshadowed Scofield's nosebleed. With the action so compulsive elsewhere, he's in danger of becoming a supporting character in his own show. As long as it keeps on being as entertaining as in recent weeks, that's not a problem at all. So stick a sock up that hooter, Michael!

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