Paul Thomas Anderson's The Master, which follows a young drifter's involvement in a cult, has been the subject of frenzied discussion ever since it was announced. Widely believed to be a thinly-veiled study of Scientology and its founder L Ron Hubbard, the film supposedly incurred anger both from the Church's senior members and from Tom Cruise, although some of its cast maintain that it isn't about Scientology at all.

A Clockwork Orange (1971)
Stanley Kubrick's ultra-violent chronicle of a charismatic young sociopath arguably gets most disturbing after Alex (Malcolm McDowell) gets his comeuppance, but it's the crime spree portion that rankled upon its release. Critics including Pauline Kael took aim at the film's "pornographic" depiction of violence, and it received both an X rating in the US and, intriguingly, a C for 'condemned' from the National Catholic Office for Motion Pictures. Nope, we didn't know they were a thing either.
Stanley Kubrick's ultra-violent chronicle of a charismatic young sociopath arguably gets most disturbing after Alex (Malcolm McDowell) gets his comeuppance, but it's the crime spree portion that rankled upon its release. Critics including Pauline Kael took aim at the film's "pornographic" depiction of violence, and it received both an X rating in the US and, intriguingly, a C for 'condemned' from the National Catholic Office for Motion Pictures. Nope, we didn't know they were a thing either.
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In what just might be our most expansive list ever, spanning a near-century from 1915 onwards, Digital Spy counts down twenty of the most shocking and enduringly divisive films ever made.


























