
On paper, the track itself sounds almost as messy as the new Bond theme. The list of ingredients: stadium rock drums, shedloads of synths, bursts of folky guitar, keyboard sounds last heard in 1987 and plenty of Anthony Kiedis-style rapping. But it's all held together by one of the year's most infectious pop choruses, which makes it stupidly enjoyable as well as a little bit stupid.













