
Somewhere between the cool-girl pop of Kate Nash and twee indie of Noah And The Whale, Mitchell's soft-spoken, acoustic style is finely-tuned for daytime radio. Sadly, this easily forgettable tune is likely to generate shrugs of indifference rather than smiles. With forgotten indie acts like Turin Brakes and Ed Harcourt among her co-writers, and an ear for a infectious melody, Mitchell clearly has potential. On the other hand, as glamorous and exciting electropop stars like Lady GaGa and Little Boots arrive on the scene, she seems - dare we say it - a bit too nice to stand out.














