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Nadine Coyle unveils 'Sweetesthigh': First Listen
Published Wednesday, Jun 22 2011, 15:59 BST | By Robert Copsey | 37 comments
After a botched attempt at a solo career, we assumed that Nadine Coyle was twiddling her thumbs in her swish Los Angeles pad waiting for a call from her Girls Aloud bandmates to sort out this reunion business. How wrong we were.
Just seven months after her Tesco-sponsored, critically panned Insatiable album, Nadine has released 'Sweetesthigh' across the globe - and if its out-of-the-blue appearance wasn't surprising enough, she's only gone all dancey on us too.
Listen to 'Sweetesthigh' below:
In short, it's a pumped-up dance track that sounds like a Kelly Llorenna cast-off remixed by Almighty circa 1998 - and is likely to go down a treat at your local gay establishment.
We've always admired Nadine for "going indie" after years of major label styling under Girls Aloud - even empathised with her tabloid frenemy status - but truth be told, this latest musical leap feels nothing if a bit confused.
While we're not quite sure what 'Sweetesthigh' is in aid of (surely she isn't going to put herself through the humiliation of a second solo LP?), it feels like a sorely misguided attempt at bandwagon jumping. Slapping a high-wired club beat over some empty lyrics about "you and I on the sweetest high" is all well and good for Guetta and LMFAO, but when you've got a set of pipes like Nadine's - which shine wonderfully as ever here - her potential ultimately feels wasted.
What do you make of 'Sweetesthigh'? Should Nadine Coyle release another solo album? Leave your comments in the box below.
Just seven months after her Tesco-sponsored, critically panned Insatiable album, Nadine has released 'Sweetesthigh' across the globe - and if its out-of-the-blue appearance wasn't surprising enough, she's only gone all dancey on us too.
Listen to 'Sweetesthigh' below:
In short, it's a pumped-up dance track that sounds like a Kelly Llorenna cast-off remixed by Almighty circa 1998 - and is likely to go down a treat at your local gay establishment.
We've always admired Nadine for "going indie" after years of major label styling under Girls Aloud - even empathised with her tabloid frenemy status - but truth be told, this latest musical leap feels nothing if a bit confused.
While we're not quite sure what 'Sweetesthigh' is in aid of (surely she isn't going to put herself through the humiliation of a second solo LP?), it feels like a sorely misguided attempt at bandwagon jumping. Slapping a high-wired club beat over some empty lyrics about "you and I on the sweetest high" is all well and good for Guetta and LMFAO, but when you've got a set of pipes like Nadine's - which shine wonderfully as ever here - her potential ultimately feels wasted.
What do you make of 'Sweetesthigh'? Should Nadine Coyle release another solo album? Leave your comments in the box below.
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