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Sent off-course by a solar storm, the Doctor, Amy and Rory arrive at what appears to be a medieval monastery and discover a mining team operating within its walls. From the get go, this episode boasts an enjoyably grim atmosphere, bolstered not only by an appealingly dark visual style, but by the strong performances of the guest cast. Lead Balloon's Raquel Cassidy has made a career out of playing cynical, sardonic characters and is perfectly suited to the role of the uncompromising Foreman Cleaves. Sarah Smart is equally impressive as the sensitive Jennifer, while Marshall Lancaster and Mark Bonnar also make strong impressions as Buzzer and Jimmy respectively. Writer Matthew Graham should also be credited for his handling of the two-part structure, using the extra breathing room that the format allows to incorporate insightful character moments and explore the episode's themes, rather than resorting to time-wasting runarounds. Only Leon Vickers as Dicken is slightly short-changed in this opening instalment, but maybe there's more to come from this character?

Thankfully, later sequences in which Jennifer struggles with her true identity are far more successful. The character's touching scenes with Rory are a real highlight of the episode, with Arthur Darvill's companion still bringing just the right mix of humour and pathos to the show. Rory's relationship with Jennifer also showcases an interesting new side to the character, as he repeatedly defies both Amy and The Doctor to take a stand of his own.

And then there's the climax. After an impressive preceding 45 minutes, it's a pity that this episode ends on a damp squib of a cliffhanger. The main problem with the Ganger-Doctor reveal is that it's too clearly telegraphed throughout the episode. Savvy viewers might guess what's going to happen as soon as The Doctor first touches the flesh ten minutes in, but with the twist being obviously signposted at least twice more before episode's end ("Trust me"), it's hard to believe that any viewer wouldn't see this 'shock' ending coming a mile off.
Overall though, this is a highly enjoyable opening instalment. While not a criticism as such, it is slightly odd that it's the character of Jennifer who has taken charge of the Gangers, given Cleaves's clear authority earlier in the episode, but 'The Rebel Flesh' has impressed sufficiently that we're willing to trust in Matthew Graham's decisions. Let's just hope that 'The Almost People' can keep up the quality and form a satisfying whole.

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